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Public programming has been a connected part of my curatorial, educational, and poetic practices. I believe that it can be part of centering marginalized communities, expanding narratives and genres, and activating texts, objects, and ideas.

SELECTED PROGRAMS

︎Homoland Security: Come in , gurl!
(2021, CUE Art Foundation)

Four-part virtual program series centering queer undocumented artists and activits, winning selection from CUE’s 2021 Open Call for Public Programs.

^{︎Re/thinking Mentorship in the Arts for People of Color(with Claire Kim, 2019, CUE Art Foundation)}

^{Panel discussion featuring Angie Pittman, Kristina Newman Scott, and viento izqierdo ugaz.}

BROOKLYN MUSEUM

Producer of Public Programs (2018-Present)

︎ Support series incuding First Saturdays and Art History Happy Hour, and manage the residency of the Brooklyn Symphony Orchestra. Supported virtual programming.

Public Programs Fellow (2017-18)

︎Public programming has been a connected part of my curatorial, educational, and poetic practices. I believe that it can be part of centering marginalized communities, expanding narratives and genres, and activating texts, objects, and ideas.

Four-part virtual program series centering queer undocumented artists and activits, winning selection from CUE’s 2021 Open Call for Public Programs.

Panel discussion featuring Angie Pittman, Kristina Newman Scott, and viento izqierdo ugaz.

︎

Public programming has been a connected part of my curatorial, educational, and poetic practices. I believe that it can be part of centering marginalized communities, expanding narratives and genres, and activating texts, objects, and ideas.

^{Panel discussion featuring Angie Pittman, Kristina Newman Scott, and viento izqierdo ugaz.}